Joel Ryan and Kristina Andersen. 2014. 821 words and 20 images, in No Patent Pending, self-made performative media, iii editions with MER. Paper Kunsthalle, pp. 1-10.

Peter Knees and Kristina Andersen. 2017. Building Physical Props for Imagining Future Recommender Systems. In Proceedings of the 2017 ACM Workshop on Theory-Informed User Modeling for Tailoring and Personalizing Interfaces (HUMANIZE ’17). ACM, New York, NY, USA, 39-43. DOI: https://doi.org/10.1145/3039677.3039682

Peter Knees and Kristina Andersen. 2016. Searching for Audio by Sketching Mental Images of Sound: A Brave New Idea for Audio Retrieval in Creative Music Production. In Proceedings of the 2016 ACM on International Conference on Multimedia Retrieval (ICMR ’16). ACM, New York, NY, USA, 95-102. DOI: https://doi.org/10.1145/2911996.2912021

Peter Knees, Kristina Andersen, Sergi Jordà, Michael Hlatky, Günter Geiger, Wolf Gaebele and Roman Kaurson. 2015. Giantsteps – progress towards developing intelligent and collaborative interfaces for music production and performance. In Proceedings of the Multimedia & Expo Workshops (ICMEW 2015), IEEE, pp. 1-4. https://doi.org/10.1109/ICMEW.2015.7169826

Kristina Andersen and Florian Grote. 2015. GiantSteps: Semi-Structured Conversations with Musicians. In Proceedings of the 33rd Annual ACM Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA ’15). ACM, New York, NY, USA, 2295-2300. DOI: https://doi.org/10.1145/2702613.2732868 

Peter Knees, Kristina Andersen, Sergi Jordà, Michael Hlatky, Andrés Bucci, Wolf Gaebele and Roman Kaurson. 2016. The GiantSteps Project: A Second-Year Intermediate Report. In Proceedings of the International Computer Music Conference (ICMC).

Kristina Andersen and Giuseppe Torre. 2017: Instrumentality, Time and Perseverance, in Musical Instruments in the 21st Century. Identities, Configurations, Practices, Springer, pp. 127-136. ISBN-13: 978-9811029509

Giuseppe Torre, Kristina Andersen, and Frank Baldé. 2016. The hands: The making of a digital musical instrument. Computer Music Journal 40, 2 (June 2016), 22-34. DOI: http://dx.doi.org/10.1162/COMJ_a_00356

Kristina Andersen and Nicholas Ward. 2017. Learning from the Crackle Exhibition. In Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction (TEI ’17). ACM, New York, NY, USA, 225-231. DOI: https://doi.org/10.1145/3024969.3024997

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Kristina Andersen and Dan Gibson. 2017. The instrument as the source of new in new music in Design Issues, Volume 33, Issue 3, Summer 2017 P.37-55. MIT.